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Tag: Disrupting Visual Histories

The Disrupting Visual Histories strand aims to increase the visibility of under-represented and as-yet untold histories of creative practice, and to upset linear temporalities. The strand includes work on queer histories, activist practices, feminist approaches to art history, intergenerational approaches to art and visual culture, maternal representations in religious iconography and contemporary practices, and decolonising histories.

Clair Schwarz Runs Workshop at the Festival of Nature: Wrens

Clair Schwarz Exhibits at Bower Ashton: Fledgelings

Stephanie Black Publishes Article in Journal of Illustration: ‘Yesterday Once More’

Mark Fearbunce Curates Exhibition: Male Art

Luisa Lorenza Corna Writes Introduction for Book: The Architecture of Participation

Luisa Lorenza Corna Presents at Museo del Novecentro: Old Mistresses

Members’ Work-in-Progress Meeting: John House Presents

Rebecca Goddard in Conversation with Michelle Henning at Bookhaus Bristol: A Dirty History of Photography

Jessie Edwards-Thomas Performs at Darkness Photography Conference

Demelza Kooij exhibits at The Wrong Biennale: Wolves from Above

John House Convenes UWE Photography Symposium 2026: Counterpoints

Amak Mahmoodian Shortlisted for Deutsche Börse Photography Foundation Prize 2026

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The Visual and Material Practices Research Group (VAMP) is a cross-disciplinary group of creative practitioners, writers, makers and historians, interested in visualities and visual & material cultures

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